Sunday, April 10, 2016

FLANER EPISODE 1: STROLLING, TALES OF AFRICAN DIASPORA BY CECILE EMEKE

Flaner (Strolling)

Connecting The Scattered 
And Untold Stories 
of the 
Black/African Diaspora 



FRANCE, EPISODE 1





Pop Culture

E-race-sure

The movie "GIRLHOOD,"* 

Feeling Sure Of Your Own Blackness 


Racial Isolation


(*- i saw this movie, the white stereotyping of black females was disturbingly familiar.)


THE SERIES 


'Strolling' is a short documentary film series created by Cecile Emeke where we take a stroll with people in various cities and countries around the world, having refreshingly raw and honest conversations about various issues at the forefront of their society. We touch on everything from feminism, sexuality, gender, race and politics to philosophy, art, history, capitalism, war and poverty… and everything else you can think of.








Saturday, April 9, 2016

ON SHONDA RHIMES' SHOT CALLER AWARD

SHONDA RHIMES IS
A CHAIN OF EVENTS
ALL HER OWN
AS FAR AS CEILING BREAKING GOES


Shonda Rhimes took the stage and spoke about how she brings a feminist vibe to television. She said that her success with Scandal made the casting of How to Get Away with Murder a no-brainer for the network. She spoke directly to her daughter, telling her that her generation is the one that matters. 

“Your slates are blank your paths are clear your stories are whatever you decide,” Rhimes said. “You are the builders of the 21st century.”

She said that once you start getting awards, you are more history than future. “Don’t look up here to us, put us in your rearview mirror,” she said. “Change the world. Then change it again.”


Before we do what Shonda says and put her in our rearview mirror, we have to learn from what she's done. So let's look as some of this Shot Caller's well known and lesser praised accomplishments all together at one time. 

I. OWNS A NIGHT OF TELEVISION 
As the slide show below says, Shonda's the first black person to own a night of television. Her shows take over ABC every Thursday Night. 


- "Grey's Anatomy," 

- "Scandal," 
- "How To Get Away With Murder." 
- She's even got an off season thriller taking HTGAWM's place during the its off-season called "The Catch"

What the slideshow doesn't say is that Shonda's the second person of any color to own a night of television.The first one to do this was Norman Lear (maybe thirty or forty years ago?) 
And she's teaming up with Norman Lear for a documentary series called "America Divided" that will explore inequality in America. America Ferrera and Common will be a part of this project. 


II. OPENED THE DOOR FOR
BLACK FEMALE LEADS ON TELEVISION
Shonda proved that multiple black characters with major roles can help carry a television show, (Grey's Anatomy) Then she proved a single black actress can lead a television show (Scandal, HTGAWM).

When Kerry Washington stepped onto the little screen as "Olivia Pope" there hadn't been a black woman in the lead role since a sitcom named "Julia" starring Diahann Carroll in the 1960s. There was a 40 year gap between Kerry and Diahann...until Shonda got her legs under herself with a white female led show then followed up by creating Scandal for a black actress, soon followed by HTGAWM.





In my opinion, Shonda paved the way for most if not all of shows starring black women on prime time network television right now, and a couple of shows on cable stations too.


III. COLORISM CEILING BROKEN 

Shonda even broke the colorism barrier with Viola Davis and Aja Naomi King on How To Get Away With Murder. Even Cicely Tyson is a part of that ceiling breaking.



I can't remember seeing two dark skinned actresses star in anything that wasn't a FUBU movie or television show, much less three.

Don't hear me saying that those FUBU movies are not important. I hope we always have them. I like black movies made by black people that accurately reflect a facet or three of black culture. But being able to capture 4 to 5 times more than 13% of the U.S. population makes--black people in the lead roles with white people in supporting roles --makes you Shonda a ceiling breaker and a gatekeeper, both.

IV) DIRECTORS AND PLAYWRIGHTS RISING

I don't see Ava DuVernay (Selma, Queen Sugar), Mara Brock Akil (Being Mary Jane), and Danai Gurira (The Walking Dead, Eclipsed) making all the strides they've made recently as a coincidence.

Shonda broke the ceiling for black women in entertainment, period. We, black women, were all but gone from main stream media except for Bill Cosby in the 1980s and a few Tyler Perry flicks. We were even mostly missing from ensemble cop and hospital shows over the last few decades.

...until Shonda's Grey's Anatomy.

V) PUTS BLACK ACTRESSES 

AND BLACK FEMALE DIRECTORS TO WORK
She even put Debbie Allen, Regina King, and Ava DuVernay to work directing her shows. Marla Gibbs, Lynn Whitfield, Loretta Divine, and Diahann Carroll have been back on television a little more often thanks to Scandal and HTGAWM.  

VI) MOTOWN SOUND BACK ON TV

And I hear a lot of black music from days gone by on Thursday nights too. So, old Motown greats are probably getting paid a little too.

VII) She puts her feminism (and Kerry's and Viola's) out front. She's made no bones about creating roles for women that were more 3 dimensional and human -like men's roles have always been. Shonda's protagonists want things, want people, are competitive, 
screw up, get angry, have sex, the are take action to take what they want and aren't always nice about it.  


CONCLUSION: SHONDA DIDN'T DO ALL ALONE, 
AS IF 
IN A VACCUUM, BUT SHE DID IT MOSTLY ALONE


I think race being out in the open a lot more due to having a black president helped Shonda Rhimes and others navigate white Hollywood. It wasn't entirely her own talent that's gotten her so far. But it was her own talent that allowed her to keep on stepping despite the white Hollywood back lash that is #OscarsSoWhite. And I think she was able to do so because she's smarter than a lot of folks of any color inside or outside of Hollywood. 


So like I said before, if black actors and black directors etc., had taken a page out of Shonda's book a while back, #OscarsSoWhite might not have come to pass.




HOW SHONDA RHIMES CHANGED TELEVISION
A SLIDE SHOW
SEE MORE AT THE LINK BELOW

http://www.bet.com/shows/black-girls-rock/2016/photos/celebrants/10-ways-shonda-rhimes-impacted-television.html#!022816-celebs-ShondaRhimes-GettyImages-508779092

Friday, April 8, 2016

BEING BLACK IN ITALY SOUNDS WAY TOO FAMILIAR



This is not from Cecile's series on the "Untold Stories Of The Black Diaspora"  But this is a perfect supplement to the Strolling Series.



In Italy discuss, Bellamy, David, and Loretta of Afro-Italian Souls discuss with sarcasm and humor:




Who's really "Colored" around here?

"Black" is not an insult

N-word

Black People In The United States



Donald Trump




You know what?

Black folks share some of the same problems no matter where they are in the world.  And it's becoming apparent that this is so because white folk do the same nonsense all over the world


About the source website: Afro-Italian Souls
Afroitaliansouls is a look at the Afroitaliano world 

The discovery of souls that make us , in order to expose the black excellence in Italia. Created by two Italian girls : Grace was born in Cerignola ( FG ) to Nigerian parents and Bellamy was born in Pavia parents Ugandan / Sudanese . The discovered one another via youtube , soon noticed that they share the same interests and ideals , in particular, they discovered they have a similar history, being both " Afroitaliane " .



Thursday, April 7, 2016

BLACK GIRLS ROCK HONOREE: AMANDLA STENBERG



Feminist, Activist, and Cultural Appropriation Teacher all before she turned 17.  All she was in "The Hunger Games" as "Rue" was cute. But I didn't know she was an awesome black feminist until her video "Don't Cash Crop On My Cornrows" went viral. I've been following her, along with thousands of others, ever since.  Amandla absolutely deserved to be honored at Black Girls Rock in 2016.  The comic book series she is creating, "Niobe: She Is Life"  is the proof.
  




A writer at NY MAG summed my feelings up perfectly. She perfectly described why things like "Black Girls Rock" is needed, was needed decades before it began in 2006. 


"I sometimes think about how I would have approached life differently if I could tell my younger self the things I know now: that I am worthy, that I’m a valuable contributor, and that my differences [as a black female] are an asset instead of a handicap. I got emotional when Amandla received her award because in many ways I feel she mirrors the woman I would have become had I believed in myself more at a younger age. In her speech, she talked about how her blackness is a blessing, and I couldn’t help but think,Gosh, I wish I had all my sh*t figured out like her at age 17.
~Ashley, NY Mag
Too many pop up ads for me to recommend the link. But here's the source of the Black Girls Rock discussion



I didn't know that this is the reason why this 17 year old feminist is my hero until I read this. I knew Amandla Stenberg is a hero of mine, but I didn't know why.  If I had known, I wouldn't have been able to say it better myself.  


I'm trying to imagine the force that must be her mother.   A mother can't create an Amandla on her own. Amandla is her own person making her own choices like anyone else. But her mother almost has to have given her the freedom and tools to build herself into who she has become. I can't believe I'm waiting to read the autobiography of a 17 year old. Maybe I'll only have to wait until she's 34.  That's only another 17 years. No problem. I'll wait.

Amandla and Mom(?)

In the meantime, here's a a link to the hard copy of her comic book here:


And here is the less expensive kindle version of  Niobe: She Is Life #1




Wednesday, April 6, 2016

BEYONCE TALKS FINDING HER OWN POWER, FEMINISM, AND FORMATION

Beyonce doesn't do interviews too often. It kinda leaves me wondering most of the time what this goal or that goal is, when I bother to wonder. Clutch Magazine observes that Beyonce is nothing if not a controller of her image. Therefore, I suppose it's intelligent to not spout off every 10 seconds (Somebody tell Kanye...or not.) 

This interview though? Agree with all the details of each of her statements or not, she is bold.  

White run media outlets who have reviewed Beyonce's Elle interview are thinking about one thing, the same ole thing:

Soothing the white tears.

The unremitting gall it takes to write multiple articles about how Beyonce doesn't hate the police.


Google it for yourself if  you don't believe this snapshot.


White supremacy protected, mostly white police officers are gunning us down. And a black woman has to reassure the white folks that she doesn't hate the police just those exercising police brutality without so much as a hitch in their giddy-up. 
Really?  

The only NON-people-of-color news outlet that seems to have noticed that the her interview was not about apologizing for her Black History Month video and subsequent performance, but feminism instead was Huff Post. 

Beyonce speaks on...



POWER


In regards to discovering her own power, she talks about how her record label, back in 1998, under estimated her and the rest of Destiny's Child (didn't really care what they were doing or how-- implied) and allowed them creative control of songs and videos. Souns like the record label didn't know what they had until Destiny's Child was ruling the airwaves. 


FEMINISM


FORMATION (RACE)My favorite quote:


"If celebrating my roots and culture during Black History Month made anyone uncomfortable, those feelings were there long before a video and long before me. I’m proud of what we created and I’m proud to be part of a conversation that is pushing things forward in a positive way."


Read More: Clutch Highlights From Magazine

Read More: Original Article
http://www.elle.com/fashion/a35286/beyonce-elle-cover-photos/ 



Tuesday, April 5, 2016

BLACK GIRLS ROCK: DANAI GUIRIRA


"Danai Gurira is unstoppable."

Feeling Rebloggy


"As the sword-swinging Michonne on the hit zombie apocalypse drama, AMC's The Walking Dead, the Zimbabwean actress and playwright is also making history on Broadway by creating the first all-black cast and crew with Eclipsed. She's also signed on to play the mother of late rapper Tupac, Afeni Shakur, in the highly anticipated 'Pac biopic
All Eyez On Me"

Danai is a 2016 Black Chicks Rock Honoree 



Read More:

http://www.billboard.com/articles/columns/hip-hop/7318917/walking-dead-danai-gurira-afeni-shakura-tupac-biopic-black-girls-rock



As "Michonne" on 'The Walking Dead:


DANAI GURIRA MAKES HISTORY
ON BROADWAY 
read more
http://thankherforsurviving.blogspot.com/2016/03/danai-gurira-makes-history-on-broadway.html

Monday, April 4, 2016

COLORISM IS A STICK BEATS BLACK MEN TOO

AS QUIET AS IT'S KEPT

Feeling Rebloggy

There is a tendency that I have noticed, that when dealing with issues of colorism, you would think that this issue does not affect Black men. While I can tell you from first hand experience that it does, I definitely understand why some Black men choose not to engage the topic. 

Hottie Felon
Jeremy Meeks Photo Went Viral

OUT OF JAIL 
MARCH 2016
INTO MODELING CONTRACT
 MARCH 2016 
I won’t re-tell to you some of the spiteful things that have been said to me as a dark-skinned fellow, because I don’t want to empower those mis-educated voices. I did have issues with self-perception due to my complexion, but thankfully I shed them as I got older. I have cut everybody loose who made me feel less than for the simple reason of what shade I am. That’s how I dealt with it.  But I can tell you that it was no cake-walk being my hue back in the day.
When you are regarded as more “dangerous” and menacing because of your skin shade, that ain’t a good feeling. It makes you at times go overboard to put people at ease around you
http://www.politeonsociety.com/2011/05/30/color-struck-the-politics-of-shade-in-the-black-community/




I wouldn’t deign to criticize another filmmaker’s voice or their hard work but as a dark-skinned black woman and someone whom [the film "Dark Girls"] would appear to represent, I have some reservations.

A number of filmmakers have explored black culture’s preoccupation with skin tone and hair texture, with mixed results. This includes Spike Lee’s School Daze, which featured a musical number with dark- and light-skinned black women fighting over “good” and “bad” hair, Chris Rock’s Good Hair, a comedic look at black women’s quest for straighter hair, andMy Nappy Roots: A Journey Through Black Hair-itage, by Regina Kimbell, an empowering film about black women struggling with and, ultimately embracing, their hair in all its varied glory.

Dark Girls (2011) by Bill Duke and D. Channsin Berry

It is interesting that while the issues around color and hair affect the lives of both black men and black women, the filmmakers tend to be male and the domain in which it is explored is female. 



I don’t believe this is just because beauty is a uniquely female concern. 

Instead, by framing the pathology and misery of the black experience in a female context, whether through derisive humor or with deep compassion, the male filmmakers are able to explore the topic from a comfortable distance. 
This is the nature of male dominance, and it happens at the expense of black men exploring and healing their own pain.

READ MOREhttps://ohgeeproductions.wordpress.com/2011/05/27/will-dark-girls-address-colorism-on-the-backs-of-black-women/

Sunday, April 3, 2016

STROLLING in BRITAIN, EPISODE 5 - Untold Stories Of The African Diaspora


Connecting The Scattered 
And Untold Stories 
of the 

Black/African Diaspora


Britain, Episode 5


free condoms

paying for tampons
typecasting
"selling out"
rape culture

It's in English, but use that "cc" button on youtube (bottom right of video) to get the closed captioning if you need it like I do

Saturday, April 2, 2016

BLACK PANTHERS IN THE SCI FI ZONE


Now that I've read David Hilliard's and Elaine Brown's books on their experiences as Black Panthers, I wonder... 
Into the limelight
1967 Sacramento Protest

What would the Black Panthers have been like
if the male leaders of The Black Panther Partyhad put the same genuine effortinto changing their attitudes towards women
that they put into learning
Marxism and socialism,
helping create the 10 point program,
and doing honest work to help black people?

Didn't the Black Panthers
wind up hamstringing themselves
by layering
all of those positive ideals and effortson top of the same old poverty-side,
materialism based, object based masculinity?

If the male Black Panther leadership
had changed their attitudes towards women
which necessitates
an elimination or reduction of false masculinity,
wouldn't The Black Panthers still be here?


POVERTY SIDE vs AFFLUENT SIDE
MATERIAL and/or OBJECT BASED MASCULINITY


A False Masculinity 

Poverty Side Material Masculinity Says

-- the strongest man should lead
--tough guys with guns are real men
--men who answer nobody and have sex with multiple women at once are the "real men" (so long as "his woman" doesn't do the same.)

These measures of masculinity are still used today by too many men who think being masculine is all about competition. And a good percentage of black men wind up going into an underground economy (work at things not quite legal or illegal) to get the objects they need to materially prove masculinity. Sometimes the underground economy is about survival, eating sans welfare and having a roof over ones head. But sometimes underground economy jobs that require a gun are strictly about proving masculinity--- at the expense of everyone around him.

These actions by black men
are what happen
when a man is sans the money
to buy himself an education
that will get him enough money
to buy the things
that white men buy 

to prove their masculinity,
which would include houses, cars, boats, and enough feelings of personal worthiness to commit to another person in marriage.

It seems to me that this competition based model of masculinity is ALSO why ex-convicts and gangsters were some of the first men attracted to the Black Panthers.

Of course all black people wanted the white foot off our necks. Of course, we have had an adversarial relationship with white people. But wanting to end racism is not the same as wanting to replace white people as the people on top. And that's what a lot of the gangsters that initially joined the Panthers wanted-- to be the oppress-er instead of the oppress-ee. They had little or no interest in a better society.

As much as The Panthers sought out coalitions with white groups, it's clear replacing white men as the oppressor was not the organization's goal. But patriarchy, a competition based model of masculinity, attracted too many of "the wrong element" to the Panthers, the element that saw shooting whitey as the only goal worth pursuing.

Keep in mind that The Panthers were a lot more accessible to poor black people than some other black civil rights groups of that era. 

The NAACP and other middle class black organizations had college educated members and leaders. Martin Luther King, for example, was giving sermons at a church that supposedly served the highest and mightiest of black people in the mid 1950s, even before he was a civil rights leader.

Of course, high society black people weren't very high, overt white racism being what it was at the time, but Martin King's class of people had a lot more than the paycheck-to-paycheck money. They had a lot more money, class, and status than the people who gravitated toward The Panthers. King's class of black folk were not looking for underground economy type work. 

Sans a protest, SCLC and NAACP members were not the kind of people that wound up in jail trying make money any which way they could for want of a straight job.

So it's not surprise that a lot of the men,  poor men that got caught in the prison system, that first flooded into the Panthers wound up being the ones Eldridge called "jackanapes."


These were the men that Eldridge planned to use as cannon fodder in his crazy gun-to-gun overthrow whitey revolution --despite being so outnumbered. Eldridge's "jackanapes" weren't just black men trying to make money on the fringes of society, they were the out of control men fresh out of jail that got guns and wound up in the news, robbing people while using the Black Panther van, making the Panthers look like they were mostly about being gangsters?

Eldridge himself was out of control. It was his idea to fire on white officers the day 17 year old Bobby Hutton was killed. This means that first Black Panther casualty, was actually part of an actual criminal act led by Eldridge Cleaver, the admitted rapist. 


Kathleen Cleaver, wife of Eldridge Cleaver - routinely beaten by Cleaver
Elaine Brown - slapped by Huey, whipped upon orders of Bobby Seale
Angela Davis - never formerly joined the Panthers, reportedly due to the sexism.

Not pictured. Regina Davis. The woman that most responsible for the running of The Panther School, the Oakland School who was beat up by black male panthers, breaking her jaw, because she dared give orders and issue reprimands
per her position.



From where I sit, if the National Headquarters of The Black Panthers in Oakland had actually made an effort to live up to their ideals of equality with black women first, women would have been half of the BPP leadership. And with women as half the BPP leadership, the Black Panthers might still be here.

ENTERING THE SCI-FI ZONE 

THE ALTERNATE REALITY



Think about it. The BPP had absolutely everything else going for them. 

They had opened a school.They were providing groceries to the poor; free health clinics (an idea that spread nationwide); free breakfasts for children at school (adopted by the United States Schools everywhere) The Panthers were also working cooperatively with other black groups and white groups to change society for the better. A central focus was to make the United States more hospitable to the poor.

But BPP fell apart because of internal and external strife, mostly competition (patriarchy based). The FBI is getting way to much credit for destroying the Panthers.

False masculinity created friction between the BPP and other black civil rights organizations.

False masculinity habits of the men undid male relationships with the women (the beating of the women in particular).

False masculinity even broke the relationship between Black Panther leaders, Huey and Eldridge in particular.

False masculinity was what allowed a tough talking Eldridge Cleaver into the Panthers in the first place --money from his book "Soul On Ice" or no damn money.

But the most important thing false masculinity did was give the FBI solid footing to sabatoge the Black Panthers.   

Again, The Black Panthers wound up being at war with another black group, namely,  Karenga's US Organization. 
The US Organization, also patriarchy soaked and therefore competition driven, actually wound up pulling guns on BPP Los Angeles leader Bunchy Carter at his house over cartoons drawn of Karenga and defaced pictures of Karenga.
Only men unsure of the masculinity do things like fight over "somebody drew a cartoon over that picture of me."   
There were other issues between US Organization and the BPP too. But the cartoons of Karenga added to or created the bad blood between the two groups. Karenga's group actually wound up killing Bunchy Carter and John Huggins.

If women had been half of the leadership of both Panthers and the US Organization, it seems unlikely that things like drawing on Karenga's poster would be allowed to lead to gun play  When women are strong enough to lead, be half of the leadership, their male counterparts have to be stronger too. Strong, feminist women don't allow "who is toughest" games to be played in the organizations they help run.
You know what else? The Panthers might have survived the FBI COINTELPRO too if women had been half the leadership. 

The men of The Black Panthers, 
having been forced to be stronger, 
which is equivalent to being more sure of their 
masculinity 
***without having to prove it all the time***
These would have been men that 
'the FBI could not provoke
by stoking the competition
and doing simple minded things like
drawing cartoons of Karenga 
then telling Karenga 
the Panthers did drew the cartoons of you 

Imagine what the FBI might say to Karenga in 1960s, 

using 1980s slang: 
"You gonna let them diss you like that?"

This kind of childish game only works when masculinity not sure of itself. The most important thing men unsure of their masculinity usually do is fail to avail themselves of half of the best leadership and half of the best ideas that a group has to offer because they are busy expending energy subjugating those they are supposedly sure of being superior to.

Who knows what other paths the Black Panthers might have taken with more brains working on problems?

 
Reading between the lines of Hilliard's book, much of what happened between Huey and Eldridge and also between The Black Panthers and the US Organization was essentially a form of "My d*ck is bigger than yours"

The argument about which person or which group is toughest or biggest was often expressed as "Not you but I AM THE REAL Vanguard of the Revolution" (Huey vs Eldridge)  or "Not your group but MY GROUP IS REALLY the Vanguard of the Revolution" (BPP vs US Organization)

It occurs to me that Huey Newton, Bobby Seale, and Eldridge Cleaver were allowed out of jail rather easily. Maybe, for all the tough guy pontificating, they were allowed out because they weren't really the biggest threat. Maybe they were allowed out of jail so they could create havoc within the organization that was the BPP.

Martin Luther King was a threat to the status quo. He was assassinated
Medgar Evers was a threat to the status quo. He was assassinated
And within the Panthers it was Fred Hampton of the Chicago BPP that died at the hands of police -- not Huey, not Bobby, and not Eldridge.
Huey has been credited with much of The Black Panthers success. But I'm not exactly sure why. David Hilliard and Elaine Brown both obviously worshiped the man. I don't think I'll ever figure it out. I've never been able to fathom charismatic leaders. And that's clear what Newton had going for him.

From what I'm reading, charismatic or not, Huey was an out of control person whose leadership worked best when he was sending audio taped instructions from his jail cell, while he was under the control of prison*.

Out of prison, he became a ego tripping, drug fueled maniac.

The rock star status might have gotten to anybody I suppose. But it wouldn't surprise me if somebody actually comes out one day and says Huey needed daily psychiatric drugs to calm him dow, drugs he would have been prescribed had he been born 30 years later or maybe just born white. Something about Newton's childhood behavior sounds off in Hilliard's book.

Eldridge Cleaver's View Of Huey Newton
Newton reportedly hated this image of himself 

BACK TO REALITY 
Huey Newton died in 1989 in what David Hilliard thinks was a drug related shooting. A lot of women, according to Brown, had gone in the mid 1970s when black panther men beat Regina Davis for giving an order and expecting it to be followed, in accordance with the BPP quasi-militaristic structure.  The Black Panthers died a long time before Huey physically died

I just can't help but think of how altered our black world might have been have had Huey had lived up to his own words on equality.


Link: Black Panther Women, A Taste Of Powerhttp://thankherforsurviving.blogspot.com/2016/03/black-panther-women-taste-of-power.html

Friday, April 1, 2016

WHITES ONLY CEMETERY IN 2016 TEXAS

Feeling Rebloggy
"The trouble started when Mrs. Barrera ran into Jimmy Bradford, the owner of the San Domingo Cemetery Association, at the post office. She said she asked him how she could get a plot for her husband’s ashes at San Domingo. Bradford told her the board would not allow it, she said.

While Bradford was not available Friday, he told KIII-TV that cemetery policy was whites only."
~MySanAntonio



http://www.carbonated.tv/news/cemetery-denies-mans-ashes-because-they-dont-bury-hispanics