Showing posts with label Black Herstory. Show all posts
Showing posts with label Black Herstory. Show all posts

Monday, April 24, 2017

MADAM C J WALKER AS BLACK FEMINIST, A BIOGRAPHY

Life was hard on Sarah Breedlove from an early age. Her parents died when she was a child. She wound up marrying young. And her husband died by the time she was 20.
When Sarah Breedlove took her children and moved to St. Louis Missouri, the middle class women in the church she attended helped her to see herself as more than a washer woman. She learned philanthropy and entrepreneurship, both, from these church women. And she started her first charity drive at this black church
When a scalp condition caused her to lose her hair she became ashamed of her appearance.
She started her hair company by finding a solution for her own scalp condition. Later, when asked how she started her hair care business she would say that she prayed for a solution and a big African man appeared to her in a dream. She wound up ordering ingredients from Africa and used them to create a a shampoo and an ointment. With her own scalp healed and her hair began growing as it never had before she became a walking advertisement for product she was making in her own home.


Eventually she was selling her product door to door.



In 1906 she married Charles Joseph Walker and Ms. C J Walker was born. Mr. Walker would help her with advertising the business. They would travel door to door together, selling her products and demonstrating the products. They would eventually divorce when Madam Walker wanted to expand the business and Mr. Walker did not.



Madam Walker would eventually open a beauty school and then a factory. She hired black women to be "Walker Agents." Forty to fifty years after slavery, there were few job opportunities for black women other than that of domestic, with a few lucky women able to become teachers and nurses. But thousands of black women gained economic independence working for Madam C J Walker.


As her company grew, she encouraged the black women that worked for her to stand for racial equality and the equality of women.  She wanted her Walker Agents to show themselves not just as professionals but as people who give back to the community. During her 1917 Convention for Walker Agents, Madam Walker gave prizes to women that sold the most product and got the most clients but also to women who gave the most to charity.
At their Beauty Salons the walker agents would talk to clients about what black women could do to help their churches, their schools in their communities. (I'm reading a book right now that talks black women like these making the black church strong enough, connected to one another enough to make it good base for The Modern Civil Rights Movement a few decades later)

By 1910 The Walker Company had employed some 5000 black female agents around the world, and averaged revenues of about $1000 dollars a day, seven days a week...Upon her death in 1919, her will stipulated that two-thirds of her fortune go to various charities and that her company always be controlled by a woman



Contributor to the Black Women's Club Movement, Madam Walker was also a part of black suffrage and also the anti-lynching movement. She was a signer on the letter to President Woodrow Wilson, demanding that he make lynching a federal crime. She seems to have counted Ida B Wells, the original anti-lynching activist, as a friend and also contributed money to the NAACP's anti-lynching campaign.


She became famous nationwide when she contributed $1000 to the building fund of a YMCA for young black boys.  And it sounds like she may have built something in Indianapolis that sounds like one of the first malls, the Madam Walker Theater Center....


Madam C. J. Walker

Naturalista

Employer Of Black Women

Philanthropist


Political Activist


First Woman in the United States, of any color, to become a self-made millionaire  








Walker told her friend Ida B. Wells, the journalist and anti-lynching activist,
 that after working so hard all her life
— first as a farm laborer, then as a maid and a cook,
and finally as the founder of an international hair care enterprise
— she wanted a place to relax and garden and entertain her friends.

She also wanted to make a statement,
so it was no accident that she purchased four and a half acres in Irvington-on-Hudson, New York,
not far from Jay Gould’s Lyndhurst and John D. Rockefeller’s Kykuit
amidst America’s wealthiest families.
.
She directed....the architect
— to position the 34-room mansion close to the village’s main thoroughfare
so it was easily visible by travelers en route from Manhattan to Albany...
.

[H]er new [white] neighbors were “puzzled” and “gasped in astonishment”
when they learned that a black woman was the owner.
“Impossible!” they exclaimed. “No woman of her race could afford such a place.”

http://www.huffingtonpost.com/national-trust-for-historic-preservation/do-big-things-madam-cj-wa_b_6029236.html
a



A
NNIE TURNBO M
ALONE




MALONE STARTED BY FOCUSING ON HEALTHY HAIR


BUT WITH THE HELP OF AN AUNT SHE WOULD  CREATE CHEMICAL STRAIGHTENERS FOR BLACK HAIR


While experimenting with hair and different hair care products, she developed and manufactured her own line of non-damaging hair straighteners, special oils, and hair-stimulant products for African-American women.[4] She named her new product “Wonderful Hair Grower”[5] To promote her new product, Turnbo sold the Wonderful Hair Grower in bottles from door-to-door.[5] She began to revolutionize hair care methods for all African Americans....
One of her selling agents, Sarah Breedlove (who became known as Madam C. J. Walker when she set up her own business), encouraged Turnbo to copyright her products under the name "Poro" because of what she called fraudulent imitations and to discourage counterfeit versions.






Malone's business thrived until she wound up in a battle for control of her business with her second husband, Aaron Eugene Malone. She'd left some of the day to day affairs in his hands as manager. And he eventually claimed he was responsible for 1/2 of the success of the business.  She suffered another blow when a former employee also sued her, claiming credit for Annie Malone's success. This lawsuit forced her to sell property in order to pay the settlement. Eventually, the government would come after for back taxes.



* * * * * 

Like the light bulb, the relaxer probably had multiple simultaneous inventors in multiple places around the world that didn't know about each other. So I'm not sure who invented it first. 


Thursday, April 13, 2017

AISHA HINDS AS HARRIETT TUBMAN GIVES AWARD WINNING PERFORMANCE ON UNDERGROUND


I've seen a few one woman acts on stage. And I may have seen a few in documentaries. But I've never seen anything like the mesmerizing performance I just saw given by Aisha Hinds on television as Harriett Tubman.


In this Wednesday Night episode of WGN's UNDERGROUND, Tubman is giving a speech to white abolitionists in Philadelphia.

Tubman doesn't just tell about her life as she's been asked. Furthermore she doesn't just tell of the beatings and horrors. She tells about what happened in her life and what some specific episodes in her life taught her about what freedom means. In the second half of speech, she talks about the immediate future, about courage, about her faith in God leading her forward She also talks about the willingness to give up her life, if God would have it be so, while also planning to live a long life.   
As I've said before, one of my favorite things about slave stories written by black people lately is that they do not leave the white women out. Miss Anne's, or this case Miss Susan's, hand is reported as having been on the whip repeatedly and for sport. 

Fictionalized account or not, this should be required watching in every school and every church in America --especially white churches in America.


By the time Hinds as Harriett is done, she has even reached forward out of history to take a swipe at Donald Trump and his "Make America Great Again" slogan.

Aisha Hinds gave an incredible performance, an award winning performance. I'm certain she'll win awards for this episode of UNDERGROUND. It's just a matter of how many. As the show ended, I couldn't help but think of Viola Davis' Oscar Speech, the one where she said all black woman lacked in Hollywood was opportunity.

On Opportunity 
If a black man named John Legend hadn't taken his relatively new found power and used it to tell our own black story of slavery, hadn't put his power and money into UNDERGROUND, we never would have gotten to see the performance.

And if John Legend wasn't a feminist, you bet your bottom dollar that there wouldn't have been a push to have Harriet Tubman, a black woman, telling us who she was an entire episode and what attitude one should always have when an enemy is coming for you.

This episode of UNDERGROUND was so outstanding, it got it's own article in the New York Times. Aisha Hinds was interviewed for the article. I giggled a little bit when I read the episode was called HARRIET TUBMAN'S TED TALK before the episode was even written.

https://www.nytimes.com/2017/04/12/arts/television/underground-harriet-tubman-aisha-hinds-interview.html


Even if you've never seen UNDERGROUND before, this was a stand alone performance. You can buy this episode on Amazon and probably iTunes too. Have your children watch it. This is another one of those cheap and easy history lessons. 





Here's a link to Season 1 of UNDERGROUND on DVD. The story of the MACON 7 begins here. From this point, if you're not interested in starting UNDERGROUND, you should be able search and find and buy the individual HARRIET TUBMAN episode called MINTY (SEASON 2, EPISODE 6) for $2 to $3. 
http://amzn.to/2ovIIyh

* * * * *

BLACKCHICKROCKED.BLOGSPOT.COM

Tuesday, February 21, 2017

NINA SIMONE ON HER BIRTHDAY



The first story of Miss Nina Simone as a child is my favorite story. The song below isn't necessarily my favorite as far as the actual music goes, but it's a great one for lyrics.  

One of the best documentaries I've seen on an individual person is about Nina Simone and it is availble on Netflix: WHAT HAPPENED MISS SIMONE? It totally disabused me of the notion that Nina Simone was the epitome of the "strong black woman" stereotype. This documentary is quick and easy black woman history. I highly recommend it.







Wednesday, November 30, 2016

REMEMBERING JUNE POINTER OF THE POINTER SISTERS

Feeling Rebloggy

"The youngest of the four Pointer Sisters is June  
Born: November 30, 1953
Died: April 11, 2006
She and her sister Bonnie originally sang as a duo, calling themselves Pointers-A Pair (see group bio).

 

June, known by some fans as the energetic rock & roller, has stepped out on her own many times, even posing in Playboy magazine. In 1983 she contributed the song "Little Boy Sweet" to the soundtrack for National Lampoon's Vacation, starring Chevy Chase. That same year, her solo recording career debuted with the release of the album Baby Sister on Planet Records. The album was co-produced by Richard Perry and Norman Whitfield. The single "Ready for Some Action" reached the Top 30 on the R&B charts. Another uptempo song from the album "New Love, True Love" was written by June with sister Anita and Trevor Lawrence. "I'm Ready for Love," written by Holland-Dozier-Holland was included on The Very Best of The Pointer Sisters, released on RCA in 1996..."

~The Pointer Sisters Website


Read More 

http://www.thepointersisters.com/june-pointer


HE'S SO SHY 



Thursday, April 28, 2016

THE ANITA HILL EFFECT WE'RE LIVING IN RIGHT NOW


Kerry Washington's movie, "Confirmation," made me realize that women all over this country wound up being as outraged as I was by how the good ole white boy network treated Anita Hill and her charges against Thomas.

LINK TO PART 1 of 2 on ANITA HILL 



And the next election cycle, the next DECADE'S worth of election cycles, showed the results of women's outrage.

Carol Mosley Braun, Barbara Boxer, and a slew of women rode the waves Anita Hill created into positions of power in Washington D.C. (not just the Senate as in the picture below)


On election Tuesday 1992, American voters sent as many new women to Congress as were elected in any previous decade, beginning a decade of unparalleled gains for women in Congress. In November 2002, women attained another historic milestone when the House Democratic Caucus elected 15-year veteran Nancy Pelosi of California as Democratic Leader—making her the highest ranking woman in congressional history....
Twenty-three of the 34 African-American, Hispanic-American, and Asian-Pacific-American women who have served in Congress were elected between 1992 and 2005. 


THE DECADE OF THE WOMAN, COURTESY OF ANITA HILL







The entire conversation about sexual harassment changed. More than one law was put into place, or strengthened so that women had the ability to complain about sexual harassment, even when no touching was involved.

It's still hard to file a sexual harassment complaint, but it used to be impossible before. I've actually known two men who have lost jobs over sexual harassment -- who very likely deserved to lose their jobs.


So don't ever forget three things about Hill V Thomas

1)  Thomas was safely harassing female employees --more than one, Anita wasn't the only one to be forced to come forward --  when he was working for the EEOC, the Equal Employment Opportunity Commission.  Thomas , according to some reports and opinions of the day, seemed to think his job was to stop the discrimination complaints from ever seeing the light of day.


2) When people say that Thomas was "barely qualified" to sit on the Supreme Court, they are referring to the evaluation done by the American Bar Association and Senate Judiciary Committee


  • The American Bar Assn. on Tuesday gave Supreme Court nominee Clarence Thomas a passing grade of "qualified," but the endorsement fell short of the "well-qualified" ratings received by other recent high court nominees.
  • The evaluation by the nation's premier legal organization, whose judgment is considered an important indicator of a nominee's credentials, is the same ABA rating that Thomas received when he was appointed as a federal appeals court judge in 1989.
  • In a letter to Sen. Joseph R. Biden Jr. (D-Del.), chairman of the Senate Judiciary Committee, the ABA's screening committee said that "a substantial majority" of its 15 members approved Thomas as qualified, although two members judged him to be "not qualified." It was understood that one or more members abstained from voting.



Funny but true 
(Sorry about quality, but it's the audio that counts)
  
3) Thomas was a quota appointee, not an affirmative action appointee, to the Supreme Court (which is rather ironic based on Thomas' stated position on affirmative action and quotas)
Affirmative Action is supposed to be going out to seek equally qualified black or brown applicants for a work position when the work place in question is heavily over-represented by white people as compared to the general local(?) population. Affirmative Action is NOT about just snatching somebody black, qualified or not- as white people are apt to do, putting them into the overly white space. The latter describes a quota system not an affirmative action system 
Clarence Thomas was most definitely snatched up due to his skin color, in my opinion, and shoved into the white space that has been our Supreme Court in order to replace Supreme Court Justice Thurgood Marshall 
White republican senators bared their teeth and did everything possible to defend the affirmative action hating Clarence Thomas white white democrats just let republicans rip Anita Hills to shreds.

Even the usually mouthy liberal Ted Kennedy barely said anything while republicans nipped and tore at Anita Hill's bones. As was hinted at in "Confirmation," this was probably because Kennedy had likely lived out "boys will be boys" to a deadly conclusion years before on 
Chappaquiddick Island; he probably couldn't afford to draw the spotlight on himself by speaking up. 



Despite being a conservative herself, Anita Hill's public loss during that "Confirmation" hearing was one of the biggest wins for women that this country has ever seen.


HOW WE KNOW HE DID IT, by SALON.COM http://www.salon.com/2010/10/27/anita_hill_clarence_thomas/






Wednesday, April 27, 2016

GRANDMA MOSES OF FILM PROMISES REMAKE OF ANITA HILL MOVIE


The second half of  "Confirmation," Kerry Washington's film on the confirmation of Clarence Thomas as a Supreme Court Judge, kept me glued to the screen with it's version of the hearing itself. But the first half was either too slow or I was too disappointed in the content to pay attention.




Kerry Washington was probably ill-suited to play Anita herself. Something about Washington is too unsubstantial in appearance and sound to play Anita Hill.

Washington seemed too short in a suit too big and when she tried to talk softly and slowly, as Anita Hill actually did, it came off sounding like baby talk instead of like a medium-deep voice speaking in light tones. Washington's hair being shaped rather like a 1960s school marm created an effect I didn't like even if it was intentional

Something about the physical presentation of Anita Hill in this movie made Hill seem like turnip that fell off the back of the truck and wound up lost in the big city. I wasn't looking for "strong black woman," but I was expecting somebody more substantial and three dimensional than I got in "Confirmation"

If I had made "Confirmation,"

1) I would have begun with initial reactions to Thomas' nomination in the black community.
I'd have showed the cautious joy that a completely unknown black man would replace Thurgood Marshall on the Supreme Court -- cautious because someone from the party most comfortable for the KKK to be a part of, nominated him. 
Black faces in positions of power in the 1990s that a lot of day-to-day black folk are completely indiscriminate about who they support. And I'd have shown black community support for Clarence Thomas first -- how it wavered, then re-settled on Thomas as a black man that must be protected.


2) Only then would I have showed --as Kerry Washington's version did -- Anita Hill in Oklahoma deciding not to get involved in Clarence Thomas' nomination and subsequent confirmation.


3)  That's when I would have presented the white female investigator in Ted Kennedy's office  asking about rumors of Clarence Thomas having sexually harassed female employees, then going out to find Anita Hill. This comes too early in Washington's "Confirmation" 


4) And once Anita Hill was found and reluctantly dragged onto the scene, I would have showed the black community's varying degrees of support, dismay, and barely concealed hatred of Anita Hill for talking about sexual harassment (defined as "boys will be boys" at the time) and attempting to stop the ascendance of a black man


5) Most importantly, instead of having real 1990s clips of mostly white news anchors reporting their impressions of what was going on in Hill v Thomas, I would have shown various reactions what these anchors were reporting.. I would have shown black elite reactions (Black Caucus, NAACP), everyday black and brown folk's strong reactions for or against Hill, and everyday white folks reactions.  


I whole heartedly congratulate fellow feminist Kerry Washington for getting this important historical story to the big or little screen. But I would have centered the story very differently even if it meant I lost a predominantly white audience.

In other words, at the center of this controversy there as a black story because the two people at the center are black EVEN THOUGH this story was about sexism and NOT racism. Thomas successfully redirected the hearing into the race arena with his "High Tech Lynching" speech, but this story, this hearing was about the sexual harassment by Thomas, the sexism of the White Senators, and the sexism in the black community.

As far as intra-racial black history goes, the Hill v Thomas fight represents one of the black community's worst moments. Even Maya Angelou supported Clarence Thomas at the time. 

Black people, black experience, and black reaction, should have been the center of a film about Anita Hill vs Clarence Thomas. Everything bad but mostly good that happened as a result of the hearings, nationwide, should have rippled outward from that black center

Part 2: The Anita Hill Effect We're Living In Now
http://thankherforsurviving.blogspot.com/2016/04/the-anita-hill-effect-were-living-in.html


By the way, the Grandma Mose of film is me

30 years in the future 

Tuesday, April 19, 2016

NORMA MERRICK SKLAREK, ARCHITECT

Feeling Rebloggy


Norma Sklarek was the first licensed Black American female architect and the first Black female fellow of the American Institute of Architects.
"Born in 1926, Norma Merrick Sklarek was the first Black woman to register as an architect in New York and California, and also the first Black woman to be elected to the prestigious Fellow of the American Institute of Architects (FAIA). In addition to many important works, she became a role model for younger African-American woman."





The Pacific Design Center (1975), also called the Blue Whale, in California is attributed to Cesar Pelli but Norma Merrick Sklarek has been credited with the project.


READ MORE: 


Monday, April 18, 2016

AS IF BILLIE HOLIDAY TOLD US HER OWN STORY IN HER OWN WORDS




A white woman from Venice Beach who used to volunteer at a facility for people trying to kick their addiction of choice introduced me to the idea that drug users might be more sensitive to some of life's day to day pains than other people. I won't tell you how much I do or don't believe this because I don't know. Ten years later I'm still considering it. But I do know that some people "use" drugs. I've believed for a long time that poor people, in particular, aren't partying. They are escaping. They are using drugs to escape whatever needs escaping.

As most black people were both poor and black and suffering racism I've never seen back in the day, I've always wondered about Billie Holiday's drug use. I've often thought about how she must have suffered after seeing the terrifying "strange fruit" swinging from trees while she was touring the country. 


I'm still wondering after hearing Billie Holiday tell her own story through Audra McDonald. But now I realize that Eleanora Billie Holliday Fagan had already been through way too much by the time she saw what was left a person after he'd been lynched. 

She seems like she was very tough and very fragile at the same time. 

I would have loved to have seen "LADY DAY AT EMERSON'S BAR AND GRILL" on Broadway. But it was pretty good on HBO. And that's without me being the biggest fan of her actual songs.


This Broadway Play being on HBO is such an opportunity to get a little black history on the cheap. I hope you'll use some of your quiet time one weekend to see it.





I tend to think Sunday afternoons are perfect for this sort of thing.  










Lady Day At Emerson's Bar and Grill is on HBO in this Spring of 2016.

 

If you don't have cable, you can pay $15 and get "HBO NOW" via the internet. You'll see Billy Day's story and see a bunch of HBO movies besides for 30 days. You could catch up on 5 years worth of Game of Thrones.

Click the icon here to check it out.



And if you haven't signed up for HBO NOW before, sometimes you can get 30 days of HBO NOW for free at Amazon.com.

Thursday, March 31, 2016

HIDDEN HEROES, THE BLACK WOMEN THAT WON OUR 1962 RACE INTO SPACE

The movie "Hidden Figures," will be based on a book of the same name that's due out next year. It is about three unsung heroes,  a group of Black American Female math wizards, sometimes referred to as "human computers," who helped NASA win the space race.


The story follows Katherine Jackson, Mary Johnson, and Dorothy Vaughn, the three women who served as the brains behind NASA’s Friendship 7 mission, which saw astronaut John Glenn become the first American to orbit the Earth in February 1962.

Pop star Janelle Monae has landed the third lead alongside Taraji P. Henson and Octavia Spencer ... Ted Melfi is directing the movie and producing with Chernin Entertainment and Donna Gigliotti of Levantine Films...

Read More 
  http://www.thewrap.com/janelle-monae-joins-taraji-p-henson-octavia-spencer-in-fox-2000s-hidden-figures-exclusive/
Henson stars as Katherine Johnson, Monáe as Mary Jackson, and Spencer as Dorothy Vaughan. 

I don't know whether to say "Yippee! I can't wait to see it!" or "How dare they not teach us about these women in school!"  Then again, I can't say I've read about these women in black history book either.

I'm so grateful that more black women like Margot Lee Shetterly are searching out and writing other black women down-- just like Alice Walker. Did you know that most of us might not know who Zora Neale Hurston is if it weren't for 1) Zora writing about herself. 2)Alice Walker researching her and bringing her back into the public eye.

I'm also grateful that black women back in the day had sense enough to write their own memoirs. I'm realizing more and more that this is where most of black female history is located.

I hope some of you can understand in 1962 THE MATHEMATICIANS WERE THE COMPUTERS. Their brains were the computers. I don't know what NASA had in 1962 but compared to now I'll bet they mechanical computers they had were glorified calculators. These women were called on to check to see if the computer was correct. If these women had failed to do their calculations correctly, failed to time he re-entry into the atmosphere correctly, John Glenn would have been a crispy critter instead a famous astronaut.

I am absolutely proud and somewhat flabbergasted that NASA hired and trusted people that were both black and female to do this work for them. For me this just goes to show that a lot of white racism are lies to secure power and money. Most of white racism is rational decision making and not misunderstanding. If white people believed deeply in black inferiority, black bad morality etc., they wouldn't have trusted black women to nurse their children or send their white men into outer space.  



A LITTLE HISTORY ON EACH WOMAN

(and a video)

DOROTHY VAUGHN
Born in 1910, Dorothy Vaughan came to the Langley Memorial Aeronautical Laboratory in 1943, during the height of World War II, leaving her position as the math teacher at Robert Russa Moton High School in Farmville, VA to take what she believed would be a temporary war job. 



Two years after President Roosevelt signed Executive Order 8802 into law, prohibiting racial, religious and ethnic discrimination in the country's defense industry, the laboratory began hiring black women to meet the skyrocketing demand for processing aeronautical research data. Urgency and twenty-four hour shifts prevailed-- as did Jim Crow laws which required newly-hired "colored" mathematicians to work separately from their white female counterparts. Dorothy Vaughan, [another HBCU graduate,] was assigned to the segregated "West Area Computing" unit, an all-black group of female mathematicians, who were originally required to use separate dining and bathroom facilities. Over time, both individually and as a group, the West Computers distinguished themselves with contributions to virtually every area of research at Langley.
http://thehumancomputerproject.com/women/dorothy-vaughan





MARY JACKSON
Born in 1921, Mary was a champion for her race, other minorities, and women. She suffered many indignities while holding steadfast to her personal attributes and compassion for others. Mary grew up in Hampton, Virginia, graduating with highest honors from high school and received her Bachelor of Science degrees from [another HBCU, Hampton Institute in Mathematics and Physical Science. After graduation from college, Mary was a school teacher in Maryland for awhile, then began her long career with the National Advisory Committee for Aeronautics (NACA), later National Aeronautics and Space Administration (NASA) at Langley Research Center, Hampton, Virginia.  

Read More: http://crgis.ndc.nasa.gov/crgis/images/4/4a/MaryJackson.pdf


KATHERINE JOHNSON
Born in 1918 in the little town of White Sulfur Springs, West Virginia, this HBCU graduate was a research mathematician, who by her own admission, was simply fascinated by numbers. Fascinated by numbers and smart to boot, for by the time she was 10 years old, she was a high school freshman--a truly amazing feat in an era when school for African-Americans normally stopped at eighth grade for those could indulge in that luxury.
Read More or watch the video. This movie should be awesomehttp://www.nasa.gov/feature/katherine-johnson-the-girl-who-loved-to-count/




HIDDEN HEROES,BLACK WOMEN THAT WON THE 1962 RACE INTO SPACE

The movie "Hidden Figures," will be based on a book of the same name that's due out next year. It is about three unsung heroes,  a group of Black American Female math wizards, sometimes referred to as "human computers," who helped NASA win the space race.


The story follows Katherine Jackson, Mary Johnson, and Dorothy Vaughn, the three women who served as the brains behind NASA’s Friendship 7 mission, which saw astronaut John Glenn become the first American to orbit the Earth in February 1962.

Pop star Janelle Monae has landed the third lead alongside Taraji P. Henson and Octavia Spencer ... Ted Melfi is directing the movie and producing with Chernin Entertainment and Donna Gigliotti of Levantine Films...

Read More 
  http://www.thewrap.com/janelle-monae-joins-taraji-p-henson-octavia-spencer-in-fox-2000s-hidden-figures-exclusive/
Henson stars as Katherine Johnson, Monáe as Mary Jackson, and Spencer as Dorothy Vaughan. 

I don't know whether to say "Yippee! I can't wait to see it!" or "How dare they not teach us about these women in school!"  Then again, I can't say I've read about these women in black history book either.

I'm so grateful that more black women like Margot Lee Shetterly are searching out and writing other black women down-- just like Alice Walker. Did you know that most of us might not know who Zora Neale Hurston is if it weren't for 1) Zora writing about herself. 2)Alice Walker researching her and bringing her back into the public eye.

I'm also grateful that black women back in the day had sense enough to write their own memoirs. I'm realizing more and more that this is where most of black female history is located.

I hope some of you can understand in 1962 THE MATHEMATICIANS WERE THE COMPUTERS. Their brains were the computers. I don't know what NASA had in 1962 but compared to now I'll bet they mechanical computers they had were glorified calculators. These women were called on to check to see if the computer was correct. If these women had failed to do their calculations correctly, failed to time he re-entry into the atmosphere correctly, John Glenn would have been a crispy critter instead a famous astronaut.

I am absolutely proud and somewhat flabbergasted that NASA hired and trusted people that were both black and female to do this work for them. For me this just goes to show that a lot of white racism are lies to secure power and money. Most of white racism is rational decision making and not misunderstanding. If white people believed deeply in black inferiority, black bad morality etc., they wouldn't have trusted black women to nurse their children or send their white men into outer space.  



A LITTLE HISTORY ON EACH WOMAN

(and a video)

DOROTHY VAUGHN
Born in 1910, Dorothy Vaughan came to the Langley Memorial Aeronautical Laboratory in 1943, during the height of World War II, leaving her position as the math teacher at Robert Russa Moton High School in Farmville, VA to take what she believed would be a temporary war job. 



Two years after President Roosevelt signed Executive Order 8802 into law, prohibiting racial, religious and ethnic discrimination in the country's defense industry, the laboratory began hiring black women to meet the skyrocketing demand for processing aeronautical research data. Urgency and twenty-four hour shifts prevailed-- as did Jim Crow laws which required newly-hired "colored" mathematicians to work separately from their white female counterparts. Dorothy Vaughan, [another HBCU graduate,] was assigned to the segregated "West Area Computing" unit, an all-black group of female mathematicians, who were originally required to use separate dining and bathroom facilities. Over time, both individually and as a group, the West Computers distinguished themselves with contributions to virtually every area of research at Langley.
http://thehumancomputerproject.com/women/dorothy-vaughan





MARY JACKSON
Born in 1921, Mary was a champion for her race, other minorities, and women. She suffered many indignities while holding steadfast to her personal attributes and compassion for others. Mary grew up in Hampton, Virginia, graduating with highest honors from high school and received her Bachelor of Science degrees from [another HBCU, Hampton Institute in Mathematics and Physical Science. After graduation from college, Mary was a school teacher in Maryland for awhile, then began her long career with the National Advisory Committee for Aeronautics (NACA), later National Aeronautics and Space Administration (NASA) at Langley Research Center, Hampton, Virginia.  

Read More: http://crgis.ndc.nasa.gov/crgis/images/4/4a/MaryJackson.pdf


KATHERINE JOHNSON
Born in 1918 in the little town of White Sulfur Springs, West Virginia, this HBCU graduate was a research mathematician, who by her own admission, was simply fascinated by numbers. Fascinated by numbers and smart to boot, for by the time she was 10 years old, she was a high school freshman--a truly amazing feat in an era when school for African-Americans normally stopped at eighth grade for those could indulge in that luxury.
Read More or watch the video. This movie should be awesomehttp://www.nasa.gov/feature/katherine-johnson-the-girl-who-loved-to-count/



Tuesday, March 1, 2016

KERRY WASHINGTON AS ANITA HILL ON HBO IN APRIL 2016



"The Anita Hill/Clarence Thomas situation is one of the darkest moments in Intra-racial Black history to take place in my lifetime. Twenty [plus] years ago, a debate raged in our communities over who was right and where our support should lie.

Devastatingly, many Black men and women felt that getting a Black man on the Supreme Court was more important than acknowledging the indignity a Black woman had suffered at his hands.



 'The notion that Hill should shut up and let Thomas [move on and move up into the Supreme Court] is just as horrifying today as it was two decades ago.' "
~ Jamilah Lemieux

LIKE MANY BLACK AMERICANS, EVEN MAYA ANGELOU SUPPORTED OF CLARENCE THOMAS





"It's the classic bind that many black women of that generation found themselves in, and I think that Dr. Angelou, she was of the position that she needed to support a black man who was seeking a position of power, regardless," McLarin said.




In siding with Thomas, Maya Angelou sided against an African-American woman, Anita Hill, whose testimony in 1991 nearly derailed the conservative Supreme Court nominee. Hill -- who now teaches at Brandeis University -- accused Thomas of sexual harassment.





Angelou said,
http://www.huffingtonpost.com/phillip-martin/reconciling-maya-angelous_b_5412462.html


In case you haven't guessed, let me make it clear to you that both of the above quoted articles were written BEFORE the drug-em-and-rape-em accusations against Bill Cosby.

That is, Maya Angelou didn't respond any differently to her need to defend Clarence Thomas than many black women felt to defend Bill Cosby. Black women still feel the need to "support a black man who  [ is in ] a position of power, regardless."

For the most part? This has not changed.



The black community, male and female, has taken the very same approach to defending Cosby that they took to defending Clarence Thomas. And most of us have collectively done so at the expense of black women that many have chosen to pretend don't exist in this scandal...again.

Even non-feminist black women who cannot turn from the truth of Cosby any longer try to create smoke and mirrors diversions in the form of white comparisons (Stephen Collins)

--as if the wolves outside our community matter just as much as those within inside, 


--as if the initial betrayal of defending Cosby when so many came forward doesn't demand repentance and an apology, both.


The black community's defense of Clarence Thomas only happened in 1991. But you'd think it happened in 1901 for as many black people as there are still alive on this earth, still living in the United States, who will ever admit aloud that they supported Thomas over Hill simply because he was male. (And I promise you that there were plenty of people that were certain Hill was lying. Certain.)




Compared to what happened in the black community in regards to Bill Cosby though? Black support of Clarence Thomas wasn't "just" a slap in the face to black women from black men (and also from patriarchy embracing black women.*) Defending Clarence Thomas did us all long lasting harm.

In 1991, the willingness to decide that defending this particular black man no matter what, rather than pursue the truth is a gift that will keep on giving until Thomas goes the way of Scalia. And we have recent evidence of this.

The Voting Rights Act was gutted just a few years ago with a 5 to 4 vote that included Clarence Thomas' help. That is, Clarence Thomas made it possible for southern states like South Carolina to come up with all these new voting rules and voter ID laws to make sure black people don't vote...like it's 1965 or earlier all over again.

(http://www.pbs.org/newshour/bb/law-jan-june13-scotus_06-25/)





As psychologically and emotionally terrible it has been to have Cliff Huxtable damaged by Bill Cosby's actions, at least The Cosby Scandal has held a mirror up to black community. We now know that the black community has learned little or nothing about valuing black women equally with black men since the Hill/Thomas Hearings.




HBO's "Confirmation" may or may not be truly from a black woman's point of view since I assume it is white male produced. But I have hopes that it is informative regardless of how produced it, directed it, financed it. I hope that it will be a way for some of us to get some cheap and easy history because if we don't know where we've been, we don't know where we are going.

The necessity of creating #SayHerName to add black women back to #BlackLivesMatter combined with the black reaction to Bill Cosby tells me we've been going around in circles for a while.


The ranks of black feminists and womanists are swelling but not fast enough for my tastes. Anti-raicsm doesn't move fast enough for me either. But I expect more from my own people.

I'm hoping more and more black women will come to feel that way. As Beyonce recently pointed out, more men and women need to have their come to Jesus moment in regards to feminism -- which in its essence is only common sense.

So watch Kerry Washington as Anita Hill and use it as a spring board to learn a bit more about your own black female history.




HBO's PREVIEW OF "CONFIRMATION" 

coming to HBO on April 16, 2016 A PREVIEW

Updated 4 8 16