Showing posts with label BLACK EDUTAINMENT. Show all posts
Showing posts with label BLACK EDUTAINMENT. Show all posts

Thursday, April 13, 2017

AISHA HINDS AS HARRIETT TUBMAN GIVES AWARD WINNING PERFORMANCE ON UNDERGROUND


I've seen a few one woman acts on stage. And I may have seen a few in documentaries. But I've never seen anything like the mesmerizing performance I just saw given by Aisha Hinds on television as Harriett Tubman.


In this Wednesday Night episode of WGN's UNDERGROUND, Tubman is giving a speech to white abolitionists in Philadelphia.

Tubman doesn't just tell about her life as she's been asked. Furthermore she doesn't just tell of the beatings and horrors. She tells about what happened in her life and what some specific episodes in her life taught her about what freedom means. In the second half of speech, she talks about the immediate future, about courage, about her faith in God leading her forward She also talks about the willingness to give up her life, if God would have it be so, while also planning to live a long life.   
As I've said before, one of my favorite things about slave stories written by black people lately is that they do not leave the white women out. Miss Anne's, or this case Miss Susan's, hand is reported as having been on the whip repeatedly and for sport. 

Fictionalized account or not, this should be required watching in every school and every church in America --especially white churches in America.


By the time Hinds as Harriett is done, she has even reached forward out of history to take a swipe at Donald Trump and his "Make America Great Again" slogan.

Aisha Hinds gave an incredible performance, an award winning performance. I'm certain she'll win awards for this episode of UNDERGROUND. It's just a matter of how many. As the show ended, I couldn't help but think of Viola Davis' Oscar Speech, the one where she said all black woman lacked in Hollywood was opportunity.

On Opportunity 
If a black man named John Legend hadn't taken his relatively new found power and used it to tell our own black story of slavery, hadn't put his power and money into UNDERGROUND, we never would have gotten to see the performance.

And if John Legend wasn't a feminist, you bet your bottom dollar that there wouldn't have been a push to have Harriet Tubman, a black woman, telling us who she was an entire episode and what attitude one should always have when an enemy is coming for you.

This episode of UNDERGROUND was so outstanding, it got it's own article in the New York Times. Aisha Hinds was interviewed for the article. I giggled a little bit when I read the episode was called HARRIET TUBMAN'S TED TALK before the episode was even written.

https://www.nytimes.com/2017/04/12/arts/television/underground-harriet-tubman-aisha-hinds-interview.html


Even if you've never seen UNDERGROUND before, this was a stand alone performance. You can buy this episode on Amazon and probably iTunes too. Have your children watch it. This is another one of those cheap and easy history lessons. 





Here's a link to Season 1 of UNDERGROUND on DVD. The story of the MACON 7 begins here. From this point, if you're not interested in starting UNDERGROUND, you should be able search and find and buy the individual HARRIET TUBMAN episode called MINTY (SEASON 2, EPISODE 6) for $2 to $3. 
http://amzn.to/2ovIIyh

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BLACKCHICKROCKED.BLOGSPOT.COM

Saturday, January 21, 2017

TELL THEM WE ARE RISING, A DOCUMENTARY AT SUNDANCE


Feeling Rebloggy 
Veteran Emmy winning documentary filmmaker Stanley Nelson is set to premiere his next work, an ambitious two-hour documentary and multimedia project that explores the pivotal role Historically Black Colleges and Universities (HBCUs) have played in American history, culture, and national identity.

An official selection of the Documentary Premieres program at the upcoming 2017 Sundance Film Festival which kicked off this week, the first ever project of its kind on HBCUs is titled “Tell Them We Are Rising: The Story of Historically Black Colleges and Universities.” It features the voices, photos, letters, diaries, home movies and a variety of never before seen or heard media that reveal this important aspect of collective American History, via the many stories from HBCU students, faculty, staff, and alumni. The documentary demonstrates how the 150-year history of HBCUs has influenced generations of Americans and shaped the landscape of the country.

http://shadowandact.com/2017/01/21/sundance-exclusive-firelight-media-blackhouse-color-of-change-collaborate-on-events-highlighting-hbcu-multi-platform-initiative/ 

Saturday, October 29, 2016

AVA DuVERNAY GIVES US "13TH" BLACK AMERICAN HISTORY THROUGH A POLITICAL LENS

The United States is home to 5 percent of the world's population. 

The United States houses 25 percent of the world's prisoners. 

These two statements represent the first statistics you hear in the documentary. And it is President Obama, the first sitting president to visit a prison, that first utters it.


The documentary 13th is ostensibly about the loophole in the 13th amendment that allows slavery to continue in the case of those convicted of a crime. And, I thought this documentary would just be Michelle Alexander's "The New Jim Crow" book but on video and set to music. But 13th covers a lot more than that. 

Alexander herself and data from her book are in the documentary, but it also covers some of the details of Black History that don't get talked about too much.

I really liked the part where DuVernay characterized black people as having had to run from the terrorist south. They were like refugees in the Northeast in the and West of the United States. But then the movie Birth Of A Nation" (1915 version) came out and made KKK members of white people all across the country these black people were in danger again. This documentary even discussed, briefly,
 what it's going to take for Black Lives To Matter in the years ahead. And it also spoke of why vigilance is required in the immediate future as prison populations go down and home incarceration and GPS tracking goes up.

One of the few criticisms I have of the documentary is that, once again, black women's imprisonment is too much in the background.
There were a number of black women interviewed. But how black female victims wind up in the prison system weren't ever in the foreground

I understand that 1 in 3 black men will do prison time over the course of their lifetime as opposed to1 in 17 white men. But black women wind up in prison at 3 to 6 times the rate of white women too. Even if you don't want to get into gender issues, even if you want to remain focused on race, the names of Rekia Boyd and Sandra Bland should have had their own 1 to 2 minute segment as examples of black injustice too. I shouldn't have been able to miss their names altogether when they popped up in a still photograph if I had blinked. 
  • Even though I know there's tons more footage of black men being killed by police, I expect black feminists to try to break Black Lives Matter away from the implied Black Male Lives Matter every single chance they get. 


But the documentary was still excellent. The other criticisms I have are regarding the documentary not being longer.

The next criticism 
I probably wouldn't have at all
if 13th hadn't been released a month before 
the next presidential election
AND
I didn't know that
a lot of people are black history deprived. 


In the documentary, DuVernay interviews a couple of people that make it clear that black people supported some of the policies that made incarceration of blacks for drug use/distribution multiply out of control. But she didn't make it clear how the economic situation in black neighborhoods at the time (need for alternative economy) plus crack led to a generation of young men scaring the hell out of their own black neighbors.

One of the interviewees says, with shame, that black people were "afraid of our own selves" as if there wasn't some justification for that.
I know a guy that says he is one of the two or three surviving members of an entire high school class in Los Angeles. IN LOS ANGELES, not some small podunk town in the mid-west with a graduating class of 20. He said the rest of them died in the crack game of the 1980s.
The term "super predators" is racist, of course.  But it's not that some of these kids weren't scary. They weren't "super predators" because they didn't have the power to truly prey on anybody. They didn't have the power to import, distribute across the country like white people did. Those black kids couldn't do anything but do some minor b.s. on the street. ALEC, as described in the documentary, qualifies as a "super predator" (And they wrote some of the worst Clinton legislation too -- when they wrote for republicans 95% of the time) 

But these baby crack dealers? The fact that they were young 13, 14, and 15, trying to prove they were men (toxic masculinity) was the thing that made them dangerous as hell, not their blackness.
A black man of 30 or 40? If you come across him as a criminal doing criminal activity, he might shoot you for some logical reason -- you're witnessing a murder or something. He's not going to shoot you just to prove he's got the stones to do it. 
The reason this was an important thing to leave out is because it's important to show that black people desperate to support Charlie Rangel and other black politicians that supported the Clintons were not stupid. The black people these black politicians represented had something real to be afraid of.


I remember someone, a person of color, having me on the verge of thinking that the 3 strikes law was a good thing. But, once I read the details of the law I understood a person could wind up for life for something stupid.

  1. Kiting checks is a felony, ya know?  So if one felony out of three felonies is shoving somebody during a robbery (violence like Mike Brown's?) a person could wind up in jail for life. Even the most hard core law and order person, that's not a closet racist, should be able to see that our prison system cannot bear such a thing. There aren't enough judges, prisons or prosecutors.   
It is important to know that the blacks supported Clinton legislation that wound up incarcerating a lot of black people for life. Because once you understand just how fear based this republican controlled country was, you also understand that Bill Clinton was interchangeable for any other white politician.


Law and Order was what people white, black, and brown wanted to hear when crack came to town. 

But if this life were a game? Donald Trump would be interchangable with a bunch of Presidents from 1972 and earlier and Ronald Reagan too. There's a reason DuVernay plays snippets Trump's speeches over the worst abuses of black people during various uprisings and riots of the civil rights movements and before. There's a reason you hear Trump talking about the good ole days when white crowds could and would beat and kill black people with a lot more impunity than you can now.

If that section of the documentary had been longer, had covered the crack cocaine era with a bit more detail, you'd know why she ultimately seems to find Donald Trump a frightening prospect


I've said it before. I'll say it again. I don't believe anybody is free from bigotry. I don't believe in anybody's purity. We're all living and breathing white supremacy -- even black and brown people score as prefering white perspective on implicit bias tests. But white people score higher when testing for white bias. So we know that white 
people, on the left or right side of the aisle, are rarely ever free from anti-black racism. 

But all white racism is not created equal.
Hillary's is normal
Trump's is a KKK version

Ronald Reagan's was a KKK version, white supremacy model too, as quiet as it's kept. White mob violence increased dramatically when he was president. All you have to do is read the black history of 1980s New York State* alone to know that. The only other black family on my street had a cross burned on their lawn once Reagan was elected. If you could bring Ronald Reagan back from the dead and he saw the power of the fear of the poor uneducated white people. he'd be a trifle more subtle than Trump. But he wouldn't be using the dog whistle anymore. Believe it.  

*****

If you haven't watched 13th yet, watch it now on Netflix.

When it comes out on DVD, buy it. Put it on the shelf next to Eyes On The Prize. I think you should watch both, once a year, with your own children or somebody else's children --especially if you aren't black.






*Look Up White Mob Violence in 1980s NY. The words Howard Beach, Bensonhurst, Michael Griffiths, Yusef Hawkins, Willie Turks should get you some details. What happened to the Central Park Five is also Reagan affected because Ronald Reagan made overt white racism fashionable again  
By the way, it kind of irked me Newt the-Grinch Gingrich was the white republican sounding all reasonable. He was one of the scariest white @$$hats in the country for a long time. 

Friday, September 25, 2015

DIFRET - A LITTLE BLACK MOVIE NOT VERY AVAILABLE IN THE U.S.


An Indie Film

In Aramaic with Spanish subtitles (so far) 

Feeling Rebloggy
"Three hours outside of Addis Ababa, a bright 14-year-old girl is on her way home from school when men on horses swoop in and kidnap her. The brave Hirut grabs a rifle and tries to escape, but ends up shooting her would-be husband. In her village, the practice of abduction into marriage is common and one of Ethiopia's oldest traditions.

Meaza Ashenafi, an empowered and tenacious young lawyer, arrives from the city to represent Hirut and argue that she acted in self-defense. Meaza boldly embarks on a collision course between enforcing civil authority and abiding by customary law, risking the continuing work of her women's legal-aid practice to save Hirut's life."


- FROM SUNDANCE


Maybe One Day

English subtitles and availability here in the U.S.  

If you find it, please let me know. 



Wednesday, September 9, 2015

ANNA DEAVERE-SMITH's ONE WOMAN PLAY - "TWILIGHT"

"Twilight" is a play that's based on people that Anna Deavere-Smith interviewed not long after the L.A. Uprising of 1992 which occurred in response to the beating of Rodney King, the subsequent murder of LaTasha Harlins, and finally the Rodney King Verdict. 

Each of the personalities captured by Deavere-Smith is based on the exact words the individuals said in their interviews. And while I haven't seen the original tapes, it looks like she must have gotten their delivery and mannerisms down pretty well too.



And I cried for real people that I had no intention of crying for **EVER** despite the fact that I knew that some of these people were likely, inadvertently and unconsciously, participants in their own...downfall, for lack of a better word.  


Bobby Green, Lei Yuille, Terri Barnett, Titus Murphy
Saved Reginald Denny
I also laughed in a couple of places. And I was damn proud of the two black men and two black(?)women that saw what was happening to Reginald Denny on television, and decided that their faith left them with no choice but to leave the safety of their own homes to save him and his truck, both.


I remember what happened during the L.A. Uprising. I was following the whole thing, reading constantly while it was happening. But I'd forgotten that King's beating on March 3 1991 and Harlin's death on March 16, 1991 happened so close together. And I didn't remember that  the appeal to change the sentencing of Soon Ja Du (Harlin's killer) from a slap on the wrist (community service and a $500 fine) to an actual punishment  failed 8 days before the Rodney King Verdict, read on April 29 1992.

But there are things I either didn't hear or didn't process because of the emotional devastation or despair I was feeling at that time.



For example:

This play contained the clearest video of Latasha Harlin's final encounter with the Korean woman that killed her, Soon Ja Du, that I've ever seen. I'll have to read more on why Harlins was accused in main stream newspapers of "trying to steal orange juice" in the first place because this conflict appears to have started at the check out counter. And Harlins died with the money to pay, two dollars, in her hand. The footage reminded me so much of Mike Brown and the cigarillos.   

This is cheap and easy history for you and your kids. I hope you make time to see it. Give it 10 minutes and see if you're not mesmerized by Deavere-Smith's performances.

Here is, not a preview, but some of the footage used in the play. A link to the full length video is at the end of this post.




PBS GREAT PERFORMANCES
ANNA DEAVERE-SMITH'S  TWILIGHT
FULL EPISODE -  http://www.pbs.org/wnet/gperf/twilight-los-angeles-full-episode/3972/